![]() This is a much denser option so you would need to allow more time and take account of the fact that it is computing heavy. Here we have a workflow plan which has been put together by Patryk Kizny from DitoGear in order to help you to make the most of your RAW files and to illustrate to you how it is possible to make use of the rich 12-14 bits of colour depth given by the RAW files from DSLR.ĭo note that if you are using SDR to film and then processing via the SDR workflow (as per our Complete guide to the post-production of a time-lapse video) if this is not sufficient, you can instead try the HDR workflow option. HDR time-lapse videos post production tutorial
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